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It’s no fun kicking a guy when he’s down, not in movies or movie reviews, yet here we are with Drillbit Taylor, a movie in which every character is just asking for a good punt.
The victim of my review is Owen Wilson, a usually funny guy who has fallen on hard times in the last seven months. I take no great pleasure in suggesting his shtick is getting a wee-bit old and that maybe a reinvention is in order. Let’s just hope his publicist shields him from what is sure to be a wave of bad reviews for this, his atrocious new movie.
Filkins not only humiliates his freshman prey, but punches them viciously, runs them down with his car, and at one point uses their own bodily functions against them. He does it all with this mad snarl that is a felony in itself. As his harassments grow more severe I immediately thought back to Matilda, Danny DeVito’s lovable family film with a school administrator named Mrs. Trunchbull, who was vile in a comic non-threatening way. She had a closet with spikes, but the movie never suggested it could actually hurt anyone. Filkins is one step away from a capital crime, or a spree shooting, and the routine is not so cute.
Hartley and Gentile, who are either blessed with some genuine comic timing or a terrific editor on Drillbit, can be appreciated for the spunk they share during their tumultuous high school experience. Underneath their fear and hatred for Filkins you can tell these are funny kids, if only the movie would let them show it off more.
Oh and then there’s a formula: Drillbit lies and lies and lies and then the lies catch up with him at the end. He loses his friends, his girl and then the cops want to arrest him. By this point, there’s a party where the boys are set for a showdown with Filkins, who is winning until … I’ll let you guess the end. At this point, though, if Filkins isn’t tortured and/or murdered brutally you’re going to be upset with anything less. You’ll hate him so much it should be a testament to Alex Frost’s acting, but then again he plays psycho a little too well.
Squeaky-voiced cupcake Leslie Mann is no amateur when it comes to comedy. Her moderate-sized résumé includes several hits (The 40-Year-Old Virgin, Knocked Up) and several bombs (Stealing Harvard, The Cable Guy) and then several pictures that fall somewhere in between the two (Orange County, Big Daddy).