Friday, August 10, 2012

Tea Party politics brutalized in The Campaign


Two Republicans are fighting for a congressional seat in The Campaign. At a hunting event, one of the candidates shoots the other point blank in the leg with a high-powered rifle. There are many witnesses. At the end of the day the shooter gets a huge bump in the polls because, after all, he supports the Second Amendment.

There are two kinds of satire. The first is the subtle and careful variety, represented by pictures such as Election or Swing Vote, movies that lampooned the savagery of politics without stepping into outright parody.

The other is less subtle and more scorched earth. Think South Park at its nuttiest. That's where The Campaign finds itself: curling its hairy little toes over the edge of madness and then plunging off.

Man oh man, what a romp. It's like the unhinged super-ego of Steven Colbert turned loose on a movie set. Republicans be warned: this is not a kind portrayal. Of course, now's where hardcore Republicans say something like, "The liberal Hollywood slanders us again." Maybe, but there's enough truth in The Campaign to make Ronald Reagan weep.

In a North Carolina congressional district, incumbent Cam Brady (Will Ferrell) is ready to lock in his third term with an unopposed slam dunk. Brady, with a Southern drawl that sounds like Bill Clinton mixed with Forrest Gump, wants to import products that were made in a Chinese sweatshop town called Mare-ika, that way the products can read "Made in America." The wealthy and bored Motch Brothers would rather "insource" China to North Carolina, so they rush to get their own candidate in the race to upset Brady.

The Motch Brothers are played by Dan Aykroyd and John Lithgow and they're supposed to represent the billionaire industrialists the Koch Brothers, who have been trying to sway elections for years. The brothers choose effeminate oddball Marty Huggins to run against the steely-cold Brady, who immediately attacks Huggins for having Chinese pugs or as he calls them "commie dogs." Huggins, who can't even trash talk — "You smell like a balloon full of toots" — is a wimp, but he has morals … and lots of sweater vests. Brady, meanwhile is ruthless. At one point he links Huggins to al-Qaeda because he has a mustache that looks like Saddam's. 

Both candidates are running on the same platform: "America. Jesus. Freedom." Brady ends all his sentences with a confident "support our troops" jingle, and no matter what preceded it — including the Lord's Prayer with a misquoted line about helicopters and thighs — the crowds roar blindly. Brady has a segment during the opening credits where he separately tells blue-collar workers, hunters and teachers that they're the backbone of America. He says a version of this at every event, and the scene ends at a fair where he tells a small crowd: "Filipino tilt-a-whirl operators are this nation's backbone." Pandering to voters is his brutal specialty.

Marty Huggins, though, seems incorruptible, which is why the film gets very interesting when he's corrupted so violently. At one point Huggins befriends his opponent's children and gets one of them to call him dad and, of course, all of this is run in a guerilla campaign ad. Comedian Zach Galifianakis plays Marty, who's wound too tight for politics. Before his candidacy starts he asks his two children if they have any confessions to make, because it might come out in the debates. Watch as Marty seethes at each new sordid story from his demented little spawn. "OK, maybe that's enough stories for one evening," he finally says.

Although a political movie, the film's humor is quite vile with many over-the-top sex-related jokes. Some of the other gags are duds, including an unfortunate one about an Asian maid who is forced to speak like a black slave. Many are quite funny. I especially enjoyed an episode that the movie titles Baby-Punch-Gate; use your imagination. Mostly, though, the movie just lampoons GOP politics. Notice how the American flag pins get bigger and bigger. Remember when Fox News would endlessly debate this? Well, at the end of The Campaign the flag pins are as big as tennis balls, which someone on Fox & Friends would still have the gall to call unpatriotic or un-American.

I can't help but think that The Campaign would have played much better during the Republican presidential primary, back when Rick Perry, Newt Gingrich, Michelle Bachmann, Herman Cain and Rick Santorum would have considered the jokes in this movie actual political tactics. Mitt Romney would have never posed with M-16s in each hand with jets and bald eagles flying over his shoulder, but all bets were off on the other yahoos. And therein lies The Campaign's real target: the Tea Party. One must only squint at Ferrell and Galifianakis to see Tea Party politics at work.

The Campaign has many political entities to ridicule, but I think it lets the candidates themselves off the hook and instead throws much of the blame on the Motch/Koch Brothers. They're deserving of such public shame for sure, but so are the candidates who co-opt their principles with corporate money.

If you've noticed I haven't talked at all about Democrats. There are none in the movie. Does that mean the film is biased? Well, sure it does, but judging by that last raucous Republican primary, it's biased toward reality.

If this bias thing is worrying you, then point me to a movie that lampoons the Democratic Party's political machine. I'll review that fairly. Something tells me, though, it won't be as funny.